And that concludes Frankenstein! It took us a while, but we made it. I admit, this last bit especially is a bit of a slog (sorry it's so long, I really just couldn't make another all-Robert-Walton installment), with us returning to the framing story we don't really care about and everyone talking about how miserable they are. What really sort of gets me in this section (as you can probably tell from my interjection at one point) is how both Walton and the monster sort of lionize Victor, and bemoan his sad fall due to persecution from the creature. Yes, Victor had a tragic downfall, but it was of his own making. He's not the hero of this story. No one is, really, nor is anyone truly the villain (notice I never used the "iconic villain debut" tag in this book). And I'm not talking about "oh, his actions had terrible consequences that he couldn't possibly have foreseen," because he created a giant, sentient, intelligent creature and then just abandons it. How could something bad possibly come from that?
ANYWAY. This final cover comes from a 1934 edition published by Harrison Smith and Robert Haas, with cover and illustrations by Lynd Ward (1905-1985). Ward was a very influential artist, best known for his engraved wood illustrations, particularly in his series of "wordless novels" that strongly influenced the development of the graphic novel. He also illustrated hundreds of children's books, won the 1953 Caldecott Medal for his book The Biggest Bear, and of course illustrated a number of classics, such as Frankenstein here.
Man, look at that! I love the art deco / German expressionistic look of this. It's like Fritz Lang directed this book cover. Also, hee, monster butt. I really wish I could've used his illustrations in my posts, because they're just magnificent, really. Check out Victor and the monster on the glacier! The monster running among lightning trees! William's murder! Victor with his chemistry equipment! Hey, wait, that looks a lot... oh, Airmont Classics. You plagiarizing scamps. (UPDATE: I forgot to link to the main site, where you can see a whole bunch more of the illustrations from this edition! DISCLAIMER: The guy who compiled the site is an author on an apparent crusade to prove that not Mary but Percy Shelley wrote Frankenstein, a position I do not support.)
Just a couple of quick notes in this one, as most of the being miserable was fairly straightforward. At 6:36, Victor pursues the monster into Tartary and Russia, where Tartary was a large chunk of central and northern Asia that included Mongolia, Siberia, Turkestan, and Manchuria, among other regions. This is of course where the Tartars we met in "Sleepy Hollow" came from.
At 33:38, Walton's letter from September 12th recounts how the ice broke up on September 9th. Well, the text actually says "September 19th" there, which was presumably a typesetting error in the 1818 edition due to the printer assuming that it was supposed to be the date of the next letter and thus should have a later number. It was corrected in later printings, so I figured I'd just change it myself rather than leave it weird and confusing.
Last, 48:21 the monster talks about Felix driving him from his door "with contumely," which basically means "with insulting and humiliating treatment."
And that's a wrap! We're going to lighten things up a bit with our short story interlude, as well as our next book. Stay tuned!
If you would like to read along, the text can be found at Project Gutenberg. No reading ahead, though!
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