Now seriously, come on, how much do you just LOVE Mr. Robert Ferrars, he of the toothpick case? I just delight in a good snob.
Two quick notes before the single illustration: at 7:54, we hear that the compliments offered to Marianne by Miss Steele following a close scrutiny of everything her appearance were intended as a "douceur." This is another word for some kind of inducement or incentive, or sometimes a bribe. Literally, it means "sweetener," and is related to words like dulce and dulcet. Importantly, the "c" is pronounced as an "s," not as "sh."
Then, at 9:07, we hear that the musicians are playing a violoncello, which is the full name of what we now usually refer to as a cello.
Shortly thereafter, we meet Robert Ferrars in an illustration that is actually the frontispiece to this edition, but obviously makes much more sense for me to show here:
9:37 - Mr. Dashwood introduced him. |
Last, at 12:25, Robert is bloviating about how his friend showed him "three plans of Bonomi's," which he promptly threw in the fire. This refers to Joseph Bonomi the Elder (1739-1808), an Italian architect who took up residence in London and was rather fashionable there around the time this story is taking place.
And that's the end of Volume the Second! Next time, we'll get started on the third and final volume.
If you would like to read along, the text can be found at Project Gutenberg, and high-res copies of the Thompson illustrations can be found in the British Library's Flickr stream. No reading ahead, though!
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