Anne of Avonlea, Chapters Twenty-Three and Twenty-Four

In which are learned the details of Miss Lavendar's backstory with Mr. Irving and Paul explicitly compares her to his "little mother," and Gilbert and Anne's predictions of a major storm are unfortunately accurate.

Today's cover comes from Dover Publications in 2002, through their Dover Evergreen Classics line. It's another "Anne standing in front of the schoolhouse" cover, but I've got an odd fondness for this one. Maybe it's the combination of the sepia tones with the red highlights, or the actual spark of personality in her face and pencil behind her ear, but I think it's mostly that she looks like she's dressed for a community theater production of The Pirates of Penzance, which has absolutely no basis in the text but is 100% something Anne would take part in. And it's period appropriate!

Our last couple of installments were pretty light on notes, but we're making up for it with a goodly number this time around:

2:38 - "the world forgetting, by the world forgot." This is another from our old friend Alexander Pope, whom we last saw only three chapters ago. This one is from "Eloisa to Abelard," another of his Latin imitations. This one is not a translation with satire like his "Imitations of Horace," though, but an original poem down in the style of the epistolary poems of Ovid. It retells the well-known medieval story of nun and scholar Héloïse and her tragic affair with her teacher, Peter Abelard. The quote in question come from a portion where Eloisa is talking about how happy vestal virgins must be, having no sins, regrets, or worldly expectations to weigh them down. The passage is also the source of another phrase you may be more familiar with:

How happy is the blameless vestal's lot!The world forgetting, by the world forgot.Eternal sunshine of the spotless mind!

7:13 - "Some are born old maids, some achieve old maidenhood, and some have maidenhood thrust upon them." This is a parody of the well-known Shakespearean quote from Twelfth Night: "Some are born great, some achieve greatness, and some have greatness thrust upon them." It's said by the character Malvolio, pompous steward to the wealthy countess Olivia. He reads it from a letter that he believes to be from her but is actually from several of the secondary characters, who wrote the letter as a prank to make him think Olivia was in love with him. This specific portion is where "Olivia" is assuring him that he need not worry that she so outranks him, and not to be afraid of the greatness that is most definitely now coming his way. In fact, he should start acting like he's already a nobleman and no longer a servant! (Spoilers: it does not go well for Malvolio.)

15:35 - "A Prophet in His Own Country." The title of Chapter 24 is a reference to a Biblical quote that appears in all four Gospels. The wording is different depending on the Gospel and the translation, but he basically says that a prophet may be accepted anywhere other than his own country. No one is going to accept that you're the Son of God (or can accurately predict the weather) when they know your parents, and your siblings, and remember you as a snot-nosed kid, and bought their furniture from you last week.

16:32 - "hymeneal altar." "Hymeneal" is an archaic word that means "having to do with weddings." It comes from the Greek god of weddings, Hymen, and is apparently unrelated to the anatomical word "hymen," despite its socially-constructed associations with "purity" on the wedding night. Seriously, people with hymens are not "sealed for freshness" like vacuum-packed lunchmeat. That's not a real thing.

26:07 - "how potent [the currant wine] was Anne, in her earlier days, had had all too good reason to know." In case you forgot when Anne accidentally got Diana drunk on "raspberry cordial."

28:15 - "Ginger’s gay dead body." I honestly thought this was a typo and supposed to be "gray dead body," because I suppose I had it in my head that Ginger was an African grey parrot. But no, it's like that on Gutenberg as well, so presumably it means that Ginger was a brightly-colored parrot like a macaw, and not that his dead body was especially happy or festive.

30:57 - "there was yet balm in Gilead." Another Biblical reference. The Balm of Gilead was a perfume/resin from a region that is now part of the country of Jordan. It was used medicinally and is mentioned in that context several times in the Bible. Most famously (and pertinently for Davy here) is in Jeremiah 8:22, where the prophet laments the fate of his people:

Is there no balm in Gilead,
Is there no physician there?
Why then is there no recovery
For the health of the daughter of my people?

If you would like to read along, the text can be found at Project Gutenberg. No reading ahead, though!

The Wonderful Wizard of Oz, Chapters One to Three

In which our heroine is transported via cyclone to a magic land, accidentally rids them of a despot with shiny shoes (yoink!), then sets off to find the Wizard who can send her back home, at which point she encounters and rescues a talking Scarecrow; and in which you probably didn't really need this summary.



Okay y'all, time to be honest. I pretty much entirely started this podcast so that I could read the Oz books. I got the first seven in very cheap, un-illustrated paperback from across several elementary school book fairs some 25 years ago and have read them, along with the remaining seven Oz books Baum wrote, numerous times each. There are precious few books that I have that have remained on my bookshelf continuously that whole time.

The Wonderful Wizard of Oz, the first of Baum's fourteen, was published in 1900 and was illustrated by W. W. Denslow, and boy did he illustrate the HECK out of it. I forgot, since my personal edition doesn't have any illustrations at all, just how many Denslow crammed in there. Just for these three chapters we've got a full twenty illustrations, not even including the title page, message from the author, copyright page, table of contents, and dedication page, all of which also have full-page illustrations. In addition to the illustrations that follow the story itself, each chapter has its own title page, along with an illustration heading each chapter's text (which is why some of these include a big word; it's the first word in that chapter.)

In fact, it's such a constant stream I'm not really going to bother time-stamping each of them, but I will include them all here after the jump so you can follow along.